Sony
PXW-FS7
Sony's PXW-FS7 XDCAM Super 35 Camera System is an extremely flexible 4K camera system. It features a Super 35mm size sensor that allows you to capture images with cinematic depth of field. The camera's E-mount allows you to use a huge variety of lenses from E-mount to PL, EF, Leica, and Nikon with adapters. The camera can capture footage to optional on board XQD media cards in either UHD at up to 60 FPS or HD at up to 180 FPS. It can also capture 4K (4096 x 2160) images and send the signal out over its SDI or HDMI connectors to a recording device like the Odyssey 7Q. Slog3 is an easy workflow these days with some of the LUTS for field viewing built right into the camera. Equally at home on tripod or on your shoulder, the Sony FS7 is ready to take on any of your production needs.
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Sony
Sony NEX FS700 Super35mm 4k ENABLED
UPDATE:
We have just updated our Sony NEX FS700 to allow it to record 4k! Combined with the Odyssey 7Q we now have an extremely affordable and powerful 4k camera to offer to you. Please contact us for more info.
Capable of stunning high speed work at 240fps at true 1920x1080 and 480fps at 1280x720, the FS700 is our new state of the art Super 35mm camera. We made the investment in this camera for 3 main reasons. 1.) The amazing high speed cinematography it allows, 2.) the flexibility of lenses with iris support it allows, and 3.) the future proofing with the 4K upgrade that will be available for the body in the coming months. We have the rigging and lens support to make this new Sony our main workhorse. You'll love it on your shoots as well!
Combined with the Convergent Design Odyssey 7Q and you get AMAZING 4K and RAW and Continuous overcrank recording times.
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MÕVI
MÕVI Freefly M10
MÕVI M10
Introducing a handheld 3-axis digital stabilized camera gimbal, so advanced, it redefines the possibilities for camera movement. The heart of the gimbal is Freefly’s proprietary high performance IMU and brushless direct drive system. In the Movi M10 we now have a tool that lets the viewer fly through a space and capture endless shots with extremely steady movement. It can be operated with a 3 person crew, Operator, Follow Focus Puller, and Remote Control of Pan Tilt or as a One Man Operator with its Majestic Mode. This mode allows for a single operator to intuitively control the pointing of the gimbal by moving the handles without compromising the stabilization of the image. The gimbal takes the operator's movements and intelligently converts them into stabilized pan and tilt movements. This allows for very low profile single operator setup and accurate framing in tight situations.
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MÕVI
Freefly M?VI M15
The M?VI M15 was designed for the most demanding cinema packages out there with no compromises made. Working with industry professionals, we created a system ready to work with large pro cameras like the Sony F55 and ARRI Alexa M. Maximum payload: 15lb / 6.8kg with compatible camera / lens combinations
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Canon
C300 w/EF Lenses
Featuring a unique Super 35mm Canon CMOS sensor, revolutionary Canon DIGIC DV III Image Processor and 50 Mbps 4:2:2 codec, the EOS C300 provides outstanding cinema quality movie capture. Compact, modular and compatible with Canon's existing line-up of EF and new EF Cinema lenses as well as accessories from third parties, the stunningly simple to operate EOS C300 is designed to please cinematographers for any production large and small, on location or in the studio, from shoestring to Hollywood budgets.
The EOS C300 has a Canon EF lens mount and is compatible with all of Canon's new EF Cinema lenses and current EF lenses, including compact primes, super telephotos, specialty tilt-shift, macro and fisheye - over 60 in all. Additional features such as Canon Log ensure seamless integration with existing production workflows, making post-production easy.
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GL Optics
G.L Optics 70-200 F2.8 PL Version L
G.L Optics 70-200 F2.8 PL Version Lens
• 114mm diameter front ring size
• Stainless steel PL mount and 6063 aluminum rehouse Lens body
• New re-designed Focus/Zoom/Aperture system
• The length of Lens is fixed when you focus
• 0.8 module gears
• Lens come with support tool and flight case. The weight of rehouse Lens is 3.6 KG, Total package weight is 6.0 KG.
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Convergent Design
Convergent Design Odyssey7Q Raw OLE
The Odyssey7Q features a 7.7" 1280 x 800 OLED display with a 3400:1 contrast ratio and is equipped with advanced image analysis tools, including Waveform and RGB Parade. It includes the Apple ProRes 422 HQ codec (up to 1080p30) and supports several high-speed Raw and HD recorder options, sold separately. It features two built-in SSD slots and records to Convergent Design 2.5" SSDs only.
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Panasonic
HPX3700 P2 Varicam
The top of the Line 2/3" CCD shoulder mounted camera. Capable of native 1920x1080 23.98 AVCintra100. The best ENG camera available.
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RED
RED 17-50mm T2.9 ZOOM
RED 17-50mm T2.9 ZOOM:
Each lens comes with both front and rear lens caps
PL mount required
Imperial lens measurement version
Outside ring diameter: 114mm
Attach 67mm filter to inner ring of lens
Length: 129mm.
Weight: 3.2 lb.
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Sony
PXW-FS7
Sony's PXW-FS7 XDCAM Super 35 Camera System is an extremely flexible 4K camera system. It features a Super 35mm size sensor that allows you to capture images with cinematic depth of field. The camera's E-mount allows you to use a huge variety of lenses from E-mount to PL, EF, Leica, and Nikon with adapters. The camera can capture footage to optional on board XQD media cards in either UHD at up to 60 FPS or HD at up to 180 FPS. It can also capture 4K (4096 x 2160) images and send the signal out over its SDI or HDMI connectors to a recording device like the Odyssey 7Q. Slog3 is an easy workflow these days with some of the LUTS for field viewing built right into the camera. Equally at home on tripod or on your shoulder, the Sony FS7 is ready to take on any of your production needs.
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Sony
Sony NEX FS700 Super35mm 4k ENABLED
UPDATE:
We have just updated our Sony NEX FS700 to allow it to record 4k! Combined with the Odyssey 7Q we now have an extremely affordable and powerful 4k camera to offer to you. Please contact us for more info.
Capable of stunning high speed work at 240fps at true 1920x1080 and 480fps at 1280x720, the FS700 is our new state of the art Super 35mm camera. We made the investment in this camera for 3 main reasons. 1.) The amazing high speed cinematography it allows, 2.) the flexibility of lenses with iris support it allows, and 3.) the future proofing with the 4K upgrade that will be available for the body in the coming months. We have the rigging and lens support to make this new Sony our main workhorse. You'll love it on your shoots as well!
Combined with the Convergent Design Odyssey 7Q and you get AMAZING 4K and RAW and Continuous overcrank recording times.
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Sony
PMW F3L
Here's a true Super 35mm image sensor designed from the ground up for moving pictures. So you'll get gorgeous images without gotchas like aliasing and moire. The PL mount works directly with the 35mm cinema lenses you love. The on-board XDCAM EXTM recording takes advantage of Sony's well-established post workflow. The RGB output and S-LOG Gamma module, previously an option, is now standard equipment. With all the facilities of a true camcorder, the F3 is everything you expect. And beyond.
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Canon
C300 EF Mount Super 35mm CMOS
Featuring a unique Super 35mm Canon CMOS sensor, revolutionary Canon DIGIC DV III Image Processor and 50 Mbps 4:2:2 codec, the EOS C300 provides outstanding cinema quality movie capture. Compact, modular and compatible with Canon's existing line-up of EF and new EF Cinema lenses as well as accessories from third parties, the stunningly simple to operate EOS C300 is designed to please cinematographers for any production large and small, on location or in the studio, from shoestring to Hollywood budgets.
The EOS C300 has a Canon EF lens mount and is compatible with all of Canon's new EF Cinema lenses and current EF lenses, including compact primes, super telephotos, specialty tilt-shift, macro and fisheye - over 60 in all. Additional features such as Canon Log ensure seamless integration with existing production workflows, making post-production easy.
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Canon
5D Mark II
Canon's update to the wildly popular full frame EOS 5D is here, and it's better than ever. The EOS 5D Mark II has a stunning 21.1-megapixel full-frame CMOS sensor with DIGIC 4 Image Processor, a vast ISO Range of 100-6400 (expandable to ISO L: 50, H1: 12800 and H2: 25600), plus EOS technologies like Auto Lighting Optimizer and Peripheral Illumination Correction. It supports Live View shooting, Live View HD videos, and more. It can shoot up to 3.9 fps, has 9 AF points plus 6 AF assist points, a new 98% coverage viewfinder, a 3.0-inch Clear View LCD (920,000 dots/VGA) and a rugged build. Full-frame shooters rejoice!
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Panasonic
HPX3700 P2 Varicam
The top of the Line 2/3" CCD shoulder mounted camera. Capable of native 1920x1080 23.98 AVCintra100. The best ENG camera available.
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Panasonic
HPX500 2/3" CCD P2 HD
Panasonic's HPX500 2/3" CCD P2 HD Camera is one of the many cameras we employ to produce your videos. It makes beautiful High Definition video and is arguably the most versatile HD/SD camera on the market today. The Over & Undercranking abilities of this camera give us tremendous creative control. Not to mention the green technology of the tapeless and renewable P2 cards. These solid state acquisition memory cards mean we don't have to buy endless tapes that are only used once. Discover the remarkable image quality we're creating with this new tool.
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Panasonic
HVX200 P2 HD Camera
The Panasonic AG-HVX200 is a fixed-lens high-definition video camera released in December 2005 (NTSC) and April 2006 (PAL). It can record HD video on solid state P2 cards or record DV video on MiniDV tapes. It also features variable frame rates (used for slow motion and fast motion cinematography) and a recording data rate of up to 100 Mbit/s, which is four times that of similarly priced HDV and DV cameras.
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GoPro
Hero 2
GoPro cameras are used by more professional athletes, sports filmmakers and core enthusiasts than any other camera in the world. The HD HERO2: Outdoor Edition is the most advanced GoPro camera yet. Wearable and gear mountable, waterproof to 197? (60m), capable of capturing professional full 170º wide angle 1080p video and 11 megapixel photos at a rate of 10 photos per second, the HD HERO2 is the world’s most versatile camera. Whether your goal is to capture a great day out with friends or you’re gunning for the cover of a magazine, the HD HERO2: Outdoor Edition can help you nail it and look like a HERO.
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GL Optics
G.L Optics 70-200 F2.8 PL Version L
G.L Optics 70-200 F2.8 PL Version Lens
• 114mm diameter front ring size
• Stainless steel PL mount and 6063 aluminum rehouse Lens body
• New re-designed Focus/Zoom/Aperture system
• The length of Lens is fixed when you focus
• 0.8 module gears
• Lens come with support tool and flight case. The weight of rehouse Lens is 3.6 KG, Total package weight is 6.0 KG.
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RED
RED 17-50mm T2.9 ZOOM
RED 17-50mm T2.9 ZOOM:
Each lens comes with both front and rear lens caps
PL mount required
Imperial lens measurement version
Outside ring diameter: 114mm
Attach 67mm filter to inner ring of lens
Length: 129mm.
Weight: 3.2 lb.
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Zeiss
Carl Ziess Compact Prime 1
21 mm Compact Prime 1 PL Mount
28 mm Compact Prime 1 PL Mount
50 mm Compact Prime 1 PL Mount
85 mm Compact Prime 1 PL Mount
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Canon
L Series Lenses
50 mm L series Prime
85 mm L series Prime
8-15 mm L Series Zoom
16-35 mm L Series Zoom
24-70 mm L Series Zoom
70-200 mm L Series Zoom IS
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Canon
EF 85mm f/1.2L II USM
Retaining the impressive optical performance and large aperture of the original EF 85mm f/1.2L USM, this new medium telephoto lens uses a Ring-type USM, high-speed CPU and optimized algorithms to achieve an autofocus speed approximately 1.8x faster than the original. The high-speed AF and circular aperture create a shallow depth-of-field that brings attention to the subject and blurs the background, which is ideal for portraits and weddings. The floating optical system, which includes an aspherical lens element, suppresses aberrations and ensures excellent imaging performance.
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Canon
EF 50mm f/1.2L USM
The EF 50mm f/1.2L USM is a peerless new standard lens featuring an ultra-large aperture for a narrow depth of field and soft background blur so loved by photographers everywhere. The EF 50mm f/1.2L USM is suitable for any shooting situation; its lens coating and construction are optimized to minimize the ghosting and flare that frequently occurs when lenses are used with digital cameras. This high-performance, weather-resistant lens delivers all the superb image resolution and contrast you expect in a Canon L Series Lens.
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Canon
EF 8-15mm f/4L Fisheye USM
the new Canon EF 8-15mm f/4L Fisheye USM is a world-class choice. With its unique focal length range, the EF 8-15mm f/4L USM is the world's widest fisheye zoom lens. It delivers 180° diagonal angle of view images for all EOS SLR cameras with imaging formats ranging from full-frame to APS-C, and provides 180° circular fisheye images for full-frame EOS models.
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Canon
16-35 L Series EF
The EF 16-35mm f/2.8L II USM is a high performance, water-resistant, and ultra wide-angle Canon L-series lens. It has been specifically designed for improved edge-to-edge image quality that will meet the strict requirements of professional and high-end amateur photographers.
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Canon
EF 24-70mm 1-2.8 L USM
Extended coverage to an ultra-wide-angle 24mm makes it ideal for digital as well as film shooters, and the optics are even better than before with two Aspherical elements and a totally new UD glass element. It's now sealed and gasketed against dust and moisture, and a new processing unit makes the AF faster than ever.
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Canon
EF 70-200 f28 L IS II(2)
Incorporating Canon’s second generation Image Stabilization technology, this telephoto zoom responds in as little as 0.5 seconds, while providing up to three stops of correction for camera shake. Its AF system has been refined for better response time and tracking speed. And even the new 8-blade circular aperture offers a more pleasing out-of-focus image.
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Convergent Design
Convergent Design Odyssey7Q Raw OLE
The Odyssey7Q features a 7.7" 1280 x 800 OLED display with a 3400:1 contrast ratio and is equipped with advanced image analysis tools, including Waveform and RGB Parade. It includes the Apple ProRes 422 HQ codec (up to 1080p30) and supports several high-speed Raw and HD recorder options, sold separately. It features two built-in SSD slots and records to Convergent Design 2.5" SSDs only.
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Sound Devices, LLC.
Pix 240 Sound Device Pro Res Record
10-bit solid state recorders that will record to compact flash cards or 2.5" SSDs as Apple ProRes 422 and, optionally, as Avid DNxHD files. The PIX240 has HDMI, as well as HD/SDI inputs and outputs. It also includes an Ambient timecode generator and reader, along with an eSATAp connector to record to large eSATA drives.
Key Features:
Apple ProRes or Avid DNxHD codec at multiple data rates
Quicktime file type
10-bit input video resolution
Ultra low-noise (-128 dBu) mic preamps with phantom, limiters, line input (based on 7-Series recorders)
CompactFlash or removable 2.5-inch solid-state hard drives file storage with media spanning, UDF format for
Mac OS and Windows compatibility
High-accuracy built-in time code generator, with genlock and word clock output
5-inch, matte finish, 800x480 pixel display
Large, illuminated, tactile buttons for fast and simple menu control
Simultaneous HDMI and HD-SDI output
Up/Down/Cross Conversion of 480i, 525i, 720p, 1080i, 1080p
336-core, 32-bit massively parallel processor with 1.2 TeraOps for efficient video encoding
10-18 VDC and dual L-series battery powering
Metalized, molded carbon fiber chassis
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Sound Devices, LLC.
Pix 240 / 240 GB SSD and Caddy
The flexible PIX-CADDY accessory provides triple-interface connectivity for SSDs: FireWire 800, eSATAp, and USB 3.0 (USB 2.0 backward-compatible). eSATAp offers drive powering and 3 Gb/s transfer rate over a single cable.
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Panasonic
P2 media 16GB
The 16GB P2 solid state memory card offers recording capacity comparable to and often greater than tape and disc-based media, but with no-moving-parts reliability and the benefits of an IT file-based workflow.
Panasonic's P2 card is a PCMCIA compatible plug-in card based on ultra-reliable, solid-state memory, integrating four high-performance SD cards like those now used in digital still cameras, and packaged in a rugged, die-cast frame that weighs only 0.099 lbs (45 grams). This convenient card has four times the capacity and four times the transfer speed of a single SD card. The P2 card is reusable and connects instantly with laptops and major non-linear editing systems to eliminate the time-consuming task of digitizing.
The re-usable P2 card is resistant to impact, vibration, shock, dust and environmental extremes including temperature changes.
Recording time on a single 16GB card:
16 minutes in DVCPRO HD
40 minutes in DVCPRO HD 24pN
32 minutes in DVCPRO 50
64 minutes in DVCPRO
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Sony
Sony MEAD-SD01 SxS Media Adapter
The MEAD-SD01 adapter accepts one high speed consumer SD card, and fits comfortably in the media slots on XDCAM EX camcorders.
Using 8, 16, or 32GB media, approximately 35, 70, or 140 minutes of recording (in SP mode) can be achieved.
The PMW-EX1/EX1R, PMW-EX3, PMW-350 and PMW-EX30 will require a firmware upgrade to work with the MEAD-SD01 adapter.
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Zacuto
Zacuto Shoulder Rig for C300
Zacuto Shoulder Mount Rig for work with any of our EVFs or small on board monitors. It uses our Universal Baseplate to mount to any camera, including the Canon C300, Sony F3, HVX200 and other cameras of this size.
Designed for camera packages between 22-40 lbs, each grip can be moved up, down, left, right, as well as fully articulate at the wrist. You can also set the grip length and position to where you feel most comfortable for a stable and balanced rig. The Zwiss Plate cheese plate on the back of the rig allows you to mount virtually anything with the provided 1/4 20" and 3/8 16" holes, including batteries and the AJA Ki Pro Mini.
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Elements Technica
Element Technica Shoulder Mount F3
This Riser Kit is for use with our Sony F3 camera. It takes lightweight 15mm support rods, ARRI rosettes for mounting Mantis Arms and handgrips, and it has an adjustable shoulder pad.
It also acts as a spacer for use with the Element Technica Hybrid Bridgeplate or ARRI standard 15mm or 19mm studio bridge plates, such as the ARRI BP-8 or BP-9.
An optional Universal 15mm Lightweight Rod Bracket allows rods to extend behind the camera for mounting additional accessories.
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Shooting Machine
Shooting Machine Knucklebunny
CineGrip Mark 3 The Knucklebunny is a highly contoured walnut CineGrip available in three models. Left hands available. Price includes rosette connection. Dual axis rosette adjust is available installed. 15mm and 19mm brackets available with leveling arm for sturdy fit to iris rods.
This is a SmartGrip with programmable brain that has trigger and menu activation on Sony F3, FS700, and FS100 cameras. Sony LANC cameras require SmartGrip version to control start/stop triggering.
Grip activates:
Expanded Focus 2X and 4X
Display fields 1 and 2.
Assign buttons. 1-3
Dual Lemo ports are installed and can be user terminated for on/off control of devices like a Nanoflash or LED light. We are writing a software interface so the functions of the switches are user defined. SmartGrips programmed and ready to control F3/FS700/100.
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Arri
Arri Swing Away Matte Box MM-B20
The MB-20 System II Super Wide 16 x 9 Module is a sunshade, carrier and filter stage primarily intended for use with 4” x 5.65” filters. When used in HDTV format, it is compatible with lenses as wide as 3.9 mm. The MB-20 System II Super Wide 16 x 9 accepts MB-20 support brackets and filter rings, improving convenience and utilization for multiple camera owners.
Main Features:
• Specific filter stage, back ballow adapter and hard matte set for 16 x 9 Wide Angle available
• Designed for film and digital cameras
• Works with wide-angle HD zooms
• Modular construction allows all mounting options
• Offers up to three independently rotating filter stages
• Accommodates a wide range of filter sizes
• All filters can be individually rotated and locked off
• Can be equipped with top, bottom, side flags and masks
• Provides an upgrade path as wider HD lenses come to market
• Locking swing-away lens access
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Arri
Arri Lightweight Mattebox MMB-1
The ARRI MMB-1 is designed for use with smaller HD camera bodies.
Main Features:
• Side-load version accommodates cameras with a top-mounted microphone
• Top-load version replaces one side loading filter frame with a top loading frame
• Rear stage fully rotatable
• Can be supported by 15 mm LWS rods or clamped directly onto the camera lens
• Suitable for lenses with a front diameter of up to 143 mm
• Top and side flag attachments
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Panasonic
5 Input HD SDI Switcher - AW-HS50N
The Panasonic Compact HD/SD Live Switcher offers 10-bit processing capacity and comes with 4 HD/SD-SDI inputs and 1 HD DVI-D input with 2 HD/SD-SDI outputs and 1 scalable DVI-D output. It also features a Chroma Keyer, GPI input, camera tally outputs, an Ethernet control interface, 4-pin XLR 12VDC input, and an AUX Bus for a versatile production workflow.
Providing a multi-image large-screen presentation display, the built-in multi-viewer allows you to view 4, 9, or 10 images on a single display, thereby minimizing the number of displays required. In addition to offering advanced functions like dedicated hardware for picture-in-picture with dissolve transitions, switchable up-conversion, color correction, the HD/SD Live Switcher also includes a chroma/linear keyer, a downstream keyer (DSK), auto or manual video transitions, wipe and PiP preset memories, and frame memories. The half-rack width switcher provides support for 1080/59.94i, 1080/23.98PsF, 1080/24PsF, and 720/59.94p resolutions. Being compact in size 8.25 x 2.625 x 6.94" (209.5 x 66.68 x 176.28 MM), the HD/SD Live Switcher is ideal for use in mobile video production and AV facilities.
Product Highlights
10-bit Processing Capacity
4 HD/SD-SDI/1HD DVI-D Inputs
2 HD/SD-SDI/1 scalable DVI-D Output
Multi-viewer Displays up to 10 Images
Dedicated Hardware for PiP
Complete IP Production System
IP Link with the AW-RP50 Controller
Built-in 10-bit Frame Synchronizers
On-screen Display
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AJA
AJA HD10A High Definition Converter
The HD10A is an Analog to Digital HDTV signal converter; it accepts a 3-wire Component HDTV analog video signal (and sync) and converts to HD-SDI digital HDTV signal. This unit can also operate as a DA offering 3 identical HD-SDI output signals.
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Matrox
MXO Live Stream Encoder
Matrox MXO2 is a convenient capture device for streaming live events. Choose your favorite app – Adobe Flash Media Live Encoder, Microsoft Expression, QuickTime Broadcaster, or Telestream Wirecast. Connect to any HD or SD video source via SDI, HDMI or analog. Stream from anywhere there’s an internet connection. Matrox MXO2 devices are the ideal portable capture solutions for streaming live events from wherever they are happening. News, sports, concerts, educational seminars, religious services, and corporate meetings are just a few of the many types of live events where an MXO2 device will come in handy for creating your internet broadcasts. Their convenient form factors let you stream from anywhere there’s an internet connection – in studio, on set, in the field, and in OB vans.
Connect to your HD or SD camera or any other video source. Use the live pass-through feature for external video monitoring. Easily provide high-quality content to popular public distribution websites like Ustream, Justin.tv, Livestream or to your dedicated IP distribution site.
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Convergent Design
Convergent Design Odyssey7Q Raw OLE
The Odyssey7Q features a 7.7" 1280 x 800 OLED display with a 3400:1 contrast ratio and is equipped with advanced image analysis tools, including Waveform and RGB Parade. It includes the Apple ProRes 422 HQ codec (up to 1080p30) and supports several high-speed Raw and HD recorder options, sold separately. It features two built-in SSD slots and records to Convergent Design 2.5" SSDs only.
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Prompter People Proline Series
Prompter People 17" Proline Series
- Quick Overview
• Free Standing and Tripod Mount versions available
• Adjustable Beamsplitter Height & Angle
• Folds flat for easy and secure transport & storage
• Light 10.4",15", 17" or 19" LCD displays
• Supports any camera size MiniDV to ENG, and even DSLR Cameras.
• Readable to about 27 feet depending on LCD selected
• Flip-Q Pro USB software for Mac and PC included
• Composite & VGA inputs
• Runs on 100-240V AC or 12v DC
• Perfect balance with any size camera
• Premium HD 60/40 glass beamsplitter
• Rear Anti reflection coating
• Completely tool-less setup
• Lightweight aluminum extrusion frames
• Easy Top side camera adjustment
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Flanders Scientific
21” LCD Monitor
- 3G/HD/SD-SDI, Component, RGB, Composite, and DVI-I Inputs Standard
- Advanced 12 Onscreen Scope Modes for all Inputs, even DVI
- Native 1920x1080 Resolution LCD panel
- 10 Bit Video Processing, 8 bit LCD Panel (over 16.7 Million Colors)
- Only 9 lbs and 28 Watts Power Consumption
- Durable Aluminum Frame
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Alphatron
Alphatron EVF-035W-3G
This Viewfinder EVF-035W-3G, designed and manufactured by TVLogic, is the right answer to the demanding motion picture industry.
The Alphatron EVF-035W-3G electronic viewfinder, developed and manufactured by TVLogic, offers a beautiful 960 x 640 display for camera operators and DPs to use with HD-SDI and HDMI cameras that require a more professional viewfinder. The Alphatron is a perfect solution for the Sony PMW-F3, NEX-FS100 and NEX-FS700, as well as a wealth of DSLR applications.
This new viewfinder offers HDMI and HD-SDI inputs and outputs in one compact unit. It also has the ability to convert an HDMI input to an HD-SDI output, a feature often requested for HDMI-only cameras on productions that require additional monitoring on set.
Features:
• Various Scan Mode
• Markers, User Aspect
• Zoom, Blue Only
• HD Video 3G Level A/B
• Audio Level Meter
• Time Code Display
• Range Error, Zebra Pattern,
• Luma(y') Zone Check, Focus Assist
• Internal Colourbar + Pluge Pattern
• HDMI-to-HDSDI Conversion Out
• HDMI~HDMI A. Loop Through
• SDI~SDI A. Loop Through
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Panasonic
17-Inch Widescreen HD/SD
Panasonic BT-LH1700W 17-Inch Widescreen HD/SD LCD Video Monitor
The BT-LH1700W is a 17 inch widescreen monitor designed for broadcast and studio applications. It utilizes advanced processing technology to reproduce images with color and contrast qualities once found only in CRT monitors. This model is capable of displaying all the HDTV formats and frame rates as well as being NTSC and PAL systems compatible.
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SmallHD
5” LCD HD Monitor DP6
- Display
- Diagonal: 5.6 inches
- Resolution: 1280x800
- Pixels Per Inch (ppi): 270
- Brightness: 300nits
- Contrast Ratio: 500:1
- Viewing Angle: 170° H/V
- Connectivity
- HDMI x 1 (input)
- Component RCA x 1 (input)
- Composite RCA (green) x 1 (input)
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Panasonic
8” Monitor LCD
The "PLCD" Series offers Active Matrix TFT with over 16 million colors delivering robust color reproduction and exceptional clarity and detail. The PLCD42HD and PLCD24HD boast high definition resolution, 16:9 aspect ratio and include a DVI and HDMI input.
- Screen Size: 8 in
- Included Interfaces: VGA Yes, S-Video Yes
- Aspect Ratio: 4:3
- Resolution: 800 x 600
- Response Time: 25 ms
- Contrast Ratio: 500:1
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Marshall
7” HD/SD LCD Monitor w/ Ne
The Marshall V-R70P-HDA-AB is a very high quality 7" LCD monitor designed for video-assist and general field production. This monitor incorporates sophisticated images processing, scaling, and interpolation for optimum analog to digital conversion and the best possible picture display.
The 3-BNC Component Video input will decode both standard definition and HD signals. It can be run off Sony-type Anton Bauer batteries or any 4-pin XLR power supply. A 1/4-20 mounting plate can be attached to any edge of the monitor.
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MÕVI
MÕVI Freefly M10
MÕVI M10
Introducing a handheld 3-axis digital stabilized camera gimbal, so advanced, it redefines the possibilities for camera movement. The heart of the gimbal is Freefly’s proprietary high performance IMU and brushless direct drive system. In the Movi M10 we now have a tool that lets the viewer fly through a space and capture endless shots with extremely steady movement. It can be operated with a 3 person crew, Operator, Follow Focus Puller, and Remote Control of Pan Tilt or as a One Man Operator with its Majestic Mode. This mode allows for a single operator to intuitively control the pointing of the gimbal by moving the handles without compromising the stabilization of the image. The gimbal takes the operator's movements and intelligently converts them into stabilized pan and tilt movements. This allows for very low profile single operator setup and accurate framing in tight situations.
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MÕVI
Freefly M?VI M15
The M?VI M15 was designed for the most demanding cinema packages out there with no compromises made. Working with industry professionals, we created a system ready to work with large pro cameras like the Sony F55 and ARRI Alexa M. Maximum payload: 15lb / 6.8kg with compatible camera / lens combinations
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Easyrig
Easyrig 2 600N Stabilizing Camera S
The Easyrig portable camera support is a cost effective system which can be used with both film and video cameras. Ergonomically designed, the Easyrig reduces the static load on the neck and shoulder muscles, and distributes it to other parts of the body which are more capable of handling it.
The Easyrig gives you the speed and mobility of a handheld camera, while still achieving steady shots from the shoulder, the hip or knee level. The powerful suspension lines will easily accept lightweight digital cameras and the heavier professional Betacams, as well as 35 mm film cameras up to 33 lb (15 kg).
The Easyrig is ideal for news broadcasts, sport events, documentaries, commercials or any other handheld situations where stability is crucial and freedom to move is essential
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MYT
MYT GLIDE 4 Foot Slider
The MYT GLIDE is a next generation multi-purpose ultra-lightweight dolly slider that comes equipped with exceptional new features. These revolutionary capabilities provide filmmakers with a tremendous amount of versatility and on-the-spot options for sliding motion whether they are shooting features, documentaries, commercials or industrials.
The numerous industry-standard threaded holes that are scattered throughout the plates, handle bracket, and carriage allow for inexhaustible mounting options. The incredibly light weight of the dolly coupled with its heavy load capacity offers unprecedented flexibility and ease of use for film practice.
Designed by filmmakers for filmmakers everywhere, the MYT GLIDE incorporates all of the options that a camera operator could desire and a whole lot more.
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Tiffen
Steadicam
Sled features include the super strong camera mounting stage that increases the precision and repeatability of every shot. Stage positioning is smooth and effortless, and with the optional, position-sensing motors, operators can trim the sled's balance while shooting. "Go-to" buttons on the remote rebalance the sled to pre-determined positions - and return "home" - with just one touch.
The integral tilt head tilts +/- 15° to preserve dynamic balance, to maintain high or low lens height, to help with clearance, reach, or viewing problems, or to execute precise whip pans with the lens angled up or down.
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Porta Jib
Traveller
The Porta Jib Traveller weighs only 29 lbs. (13.2kg), but it supports 40 lbs. (18kg) of camera and fluid head. Its unique telescopic design allows it to work in constricted areas and also unfold to create a dramatic 6 foot lift. Like the rest of the Losmandy line, it is manufactured to the highest quality standards. All moving parts are controlled by sealed precision ball bearings. Bubble levels are located on the center column and camera plate for easy levelling. With a weight ratio of less than one-to-one, and the sliding counterweight shaft for fine tuning, the arm can be balanced in a matter of seconds, with a limited number of counterweights. Since no chains, belts or cables are used, the Losmandy Porta-Jib Traveller requires little maintenance. Boom friction and pan friction with variable drag are standard features.
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O'Connor
1030 HD Tripod
The OConnor 1030HDPKG consists of the 1030HD fluid head, 08430 small euro platform, 08365 100mm base, 08395 100mm tie down, 1030-145 standard 3/4" pan arm, and the 1030-152 pan arm extension.
The 1030HD is designed to deliver the ultimate in control and stability for high definition productions with camera payloads up to 39.0 lbs (17.7 kg). It possesses the same characteristics as OConnor's fluid heads for 35mm film cameras, (such as the 2575) but with ultra-smooth true fluid drag specifically enhanced for high definition applications. Stepless sinusoidal counterbalance in conjunction with the sliding camera plate ensures fingertip control through the load range, and a tilt-locking pin positively locks the head for rapid, safe camera changes. Leaving no detail unrefined, dual pan arm rosettes facilitate left- or two-handed configurations, and are replaceable parts.
Consistent with the uncompromising engineering style found in all OConnor products, the 1030HDPKG is fully covered with an unbeatable 5-year warranty, and friendly, accessible telephone support.
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K 5600
800w Joker HMI
JOKER-BUG 800 puts out 50% more light than a 1200 in a Chimera®. JOKER-BUG 800 is smaller than its nearest lower wattage (575). And fits in the same case as a JOKER 400! JOKER-BUG 800 only draws 11 Amps allowing for a 400W to be used on the same circuit!
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Kino Flo
4x4 Gaffer Kit
Kino Flo's 4 Foot, 4 Bank Gaffer Kit comes with two 4 foot long, 4 lamp fixtures. They are the most versatile softlight available. The 4Bank is similar to a 1,000Watt softlight, but uses 1/10th the power. Color temperature doesn’t shift when the light levels change.Excellent Soft High output light with little energy draw and almost no heat is added to the room.
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Kino Flo
Diva-Lite 400
The Diva-Lite® 400 and 200 have become the industry’s most popular professional cool lighting fixtures for video location work. The Diva-Lite 400 portable softlights boast the company’s trademark modular fixture designs with full-range dimming, switching and remote control features. The Universal model can be used anywhere in the world from 90VAC to 265VAC. Diva-Lite 200 fixtures likewise are portable, versatile units designed for the rigors of run and gun lighting for news or commercial video production. All Diva-Lites can go from nighttime to daytime interiors by switching True Match® tungsten for daylight quality lamps. It’s like having two set-ups in one!
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Litepanels
Bi-color LED 1x1 lite panel
Weighing just 3lbs and measuring 12" W x 12" H x 1.75" D, the Litepanels 1x1 Bi-Color allows you to instantly dial up any color, ranging from cool white daylight to warm white tungsten, giving you the flexibility needed to adapt to a variety of lighting situations.
The 1x1 is engineered for quick and easy set up and operation, and mounts on a light stand or tripod via a yoke with standard TVMP receptacle. The LP-1x1's groundbreaking design provides operators with a unique look-through capability. The housing features an integrated pattern of hundreds of precisely aligned mini-portals. This enables you to view the subject being illuminated from behind the unit. The LP-1x1 Bi-Color shares many of the innovative features of other Litepanels products including dimming capability with a minimum shift in color and an attractive, adjustable light from a silent and heat-free source.
FEATURES
Dial-up, variable color from 3200°K to 5600°K
Preset or variable color settings
Ultra-efficient LED Technology
Dial-up brightness
Lightweight, Slim-line Design
Absolutely Silent & Heat-Free
Unique Look-Through Design Feature
Mounts Via Yoke With Standard TVMP Receptacle
Housing & Mounting Hardware Enable Multipanel Configurations
Dim 0-100% with no color change
Remote Dimming Capability
Runs from AC or batteries
Weight: 3 lbs. (1.36 kg)
Dimensions: 12" x 12" x 1.75"
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Dedolight
Felloni 30° BiColor 1x1 LED
This Dedolight Felloni Tecpro 30° High Output Bicolor LED Light runs on 576 LEDs and has a flood beam angle which makes gives lots of coverage at close range. Nearly doubling the amount of LEDs enables the Felloni to produce nearly double the output as compared to the Standard Version. The bicolor LEDs are variable in fine steps from 3200 - 5600K, covering the tungsten to daylight balance range. This is the perfect light when speedy setup is of paramount importance. You can forget about fumbling with gels and gaffer's tape and just start shooting. If you need a broad even light to establish a base light level on set, or require a fill light or light for a large subject, the Felloni Techpro 50° High Output is for you. The 1 x 1', 4.4 lb panel is virtually heat-free, so you can squeeze it into places where other lights just can't go without worrying about harming the talent. It's also rainproof and upgradable with the purchase of an LCD dimmer or DMX module. A wireless DMX module is in the works.
More than 30% more light than competitors in this High Output version
50% less power consumption than competitive products: 24 W instead of 50W
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Litepanels
Lite Panel Mirco
Using the same technology as the Litepanels Micro Light, the MicroPro Light provides twice the illumination as the Micro in a luminous, soft, directional light.
Heat-free LED technology
Produces bright, soft light
Integrated dial for instant 100% to 0 dimming
Minimal color shift when dimming
All-in-one camera light with no external cables
Absolutely flicker-free 5600°K
Runs 1 to 1.5 hours on six AA batteries
Uses standard or rechargeable batteries
Extremely lightweight and compact
Size: 5.5"W x 4"H x 1.5"D
Weight: 10.5 oz.
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Source Four
750w 25-50 Degree Zoom
The 25-50° Source Four Junior Zoom 575W Black Ellipsoidal Spotlight with 20A Twist Lock plug combines the energy-saving power of the patented HPL lamp, with a dichroic reflector and optical-quality lenses. Source Four technology provides a clean white beam for unequaled imaging, crisp pattern projection, and a bright, even field.
The Source Four Jr Zoom is best for use on the small stage or in clubs, retail events and industrials. It boasts rugged ETC fixture construction and all the precision optics of a Source Four.
When fitted with a 575W HPL bulb (available separately), this fixture will provide a beam of
88 footcandles 13.2' (4.2 m) in diameter, from a distance of 30' (9 m) @ 25° zoom. It will throw
63 footcandles 17.8' (5.4 m) in diameter, from a distance of 20' (6 m) @ 50° zoom.
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Arri
Tungsten 650w Fresnel
The Arri 650 Watt Plus Fresnel features smooth focusing, and a bright, even beam. The beam angle in the flood position is 52°, and a narrow 14.5° in the spot position. This fixture is equipped for 120 Volt AC operation. It will also function with 220-240 AC Voltage, with the appropriate bulb and plug adapter, available separately.
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Arri
300w Fresnel
The Arri 300 Watt Plus Fresnel is designed to gather as much light as possible and direct it through the 3.2" (80 mm) low expansion, borosillicate fresnel lens producing a soft, even field of light. The yoke allows it to be attached to any 5/8" stud. Beam angle in the flood position is 49° and a narrow 15° while in the spot position. Available individually, or in a kit. Lamps must be purchased separately.
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Zoom
Handy Recorder H4N
The H4n recorder features true X/Y stereo mics with selectable recording patterns. It can record up to 4 channels of audio, with rates up to 24-bit/96kHz. XLR/TRS combo inputs let you connect a variety of gear. The recorder also features a built-in speaker and a 3.5mm output for connecting external speakers. A USB 2.0 port makes it easy to transfer files to a Mac or PC, or use the H4n as a live audio interface. It has a backlit LCD for easy control, and can operate on AA batteries, USB power, or wall power for versatility.
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Sound Devices, LLC.
302 Portable 3 Channel Field Mixer
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